Igmar Stuer
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
  • Solid wooden 'Totem' sculptures by Marc Lampens
Solid wooden 'Totem' sculptures by Marc Lampens

9500 €


Belgian multimédia artiste Marc Lampens uses two pine trunks for his works of art, which he transforms into a creative work of art. Marc Lampens takes classes in plastic arts at the art academy in Oudenaarde, and learned to work with all available materials with which an artist can get creative, such as stone, metal , bronze and wood. He currently focuses mainly on the creation of jewelery in the noblest of all metals: gold.

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Igmar Stuer
Address:
Hofstraat 68 ,
9451 Kerksken
Region: Gent
Country: Belgium
Tel.: +32 (0)476 57 32 70
E-mail: info@igmarstuer.be
Website: www.igmarstuer.be
SOLD
17th century Flemish Corpus Christ

SOLD

17th century Flemish Corpus Christ

Wonderful weathered 17th century Flemish corpus Christ. This Christ has his traces of age but the highly expressive details and anatomy are still visible. You can see the ribs, muscles and tendons very clearly. You can see a suffering pose and facial expression.
Life-size figurative sculpture by Belgian sculptor Roland Lavianne

Life-size figurative sculpture by Belgian sculptor Roland Lavianne

Large, life-sized chestnut wood sculpture by Roland LAVIANNE (1948-2022). Simplifying forms to the extreme, Roland LAVIANNE develops a powerful play of volumes, shapes, and lines, using light as a building material. Roland LAVIANNE demonstrates a true mastery of the balance of volumes and lines of force; the characters, both motionless and dynamic, seem to weave a theatrical conversation forever suspended.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022)

Free form wooden sculpture by Roland LAVIANNE (1948-2022). Circa 1990.
19th C architectural sculpture

19th C architectural sculpture

19th century architectural and constructivist wooden sculpture, once part of a roof truss, now a very decorative wabisabi piece.
White marble sculpture by Pol Spilliaert (1935-2023)

White marble sculpture by Pol Spilliaert (1935-2023)

Sculpture in white Carrara marble by Belgian sculptor Pol Spilliaert (1935-2023). Title of the work “ Elke Icarus wil eens vliegen “ (Every Icarus wants to fly). After a plaster proof, Spilliaert made this first marble version in 1968 before making a larger monumental version the same year. His sculptures reflects the artist’s signature style by combining organic and geometric forms, creating an interesting sense of tension. Pol Spilliaert studied sculpture at the La Cambre Academy of Art in Brussels where he was taught by notable figures like modernist architect Leon Stynen , graduating as laureate in 1959. This work is listed page 56 of the book on Pol Spilliaert by Jaak Fontier edition Lannoo.